Shwe Wutt Hmon

“For most of history, anonymous was a woman “_Virginia Woolf

Traditionally and historically, photography is a very male dominant industry in Myanmar. It’s still a long journey for the female lens-based artists to be visible, be recognized for their role and contribution in the industry, and earn the decent respect they deserve and their voices heard. As influenced by socio, cultural and economical limitations, women find it harder to survive and be sustained in the field of photography.

I constantly find it very impressive the diverse visuals, narrations, stories and creations brought by my fellow female artists. When a very insufferable military coup took place in Myanmar on 1st February 2021, many women were there among the crowds of photographers who have been documenting the important history of the country. From those who have been covering from street protests to brutal crackdowns of very frontline and someone who has been documenting the wet clothes which the street protestors use to prevent from the tear gas bomb to another one who is working on the portraits of resistance to the next who has been filming about the brave stories of our fallen heroes, using their camera and lens, we women are there.

“Portraits Of The Anonymous” is a portrait series of the female lens based practitioners, from photographers and filmmakers to photojournalists and artists who earnestly worked on the 2021 Myanmar coup d'état. Layering the coup-wise image at the background, shot by the photographer herself, the portrait of each artist in her professional posture, along with her own testimonies, vividly indicate all the struggles, strengths, labors and contributions of the women in photography within Myanmar context. “Portraits Of The Anonymous” also speaks about a collective history of how and what women artists were parts of the Burmese spring revolution, I believe.